A buzzing song


January 19, 2022

The murmur, death growl, is an extreme and aggressive singing style that often seeks to produce the most inhumane and often monstrous vocals by making strong use of the diaphragm and distorting the sound through the larynx without straining the vocal folds.

Special features

Örin often refers to low bass or baritone sound fields, which are used especially in the death metal style. There are also higher-level variations in Örinä: hardcore punk, metalcore, and melodic death metal, for example, are more often a rumbling scream, and especially black metal has a very high, even falsetto vocal, often referred to as "squeak," "scream," or "talk." An example of a very thin and tall black metal church is Jon Richard of Hecate Enthroned. Although roaring is generally angry, it is used in gothic metal and doom metal, for example, to interpret strong, introverted and depressed emotions. The buzz has a deep throat and is often difficult to understand, especially for those listeners who are not already familiar with the style. Several singers using the technique consciously choose to roar vaguely, such as Sylvain Houde of the band Kataklysm and Lord Worm of Cryptopsy. However, some of the singers in the style roar understandably, such as Karl Willetts of Bolt Thrower or Tomi Koivusaari of older Amorphis. Today, the rattle technique is also used by a few female singers, including Nuclear Death’s Lori Bravo, Sinister’s Rachel Kloosterwaard-Heyzer, Arch Enemy’s Angela Gossow, The Agonist Alissa White-Gluz, and Jinjer’s Tatiana Shmaylyuk.

Singing technique

The characteristically rough output of a buzzing song almost necessarily requires skipping adolescence. Thus, on average, those under the age of 16 who have not yet developed a larynx are not recommended to practice it: when done incorrectly, a murmur can cause long-term damage to the vocal cords. The murmur song starts from the contraction of the diaphragm muscle and takes shape in the larynx. Without the use of the diaphragm, the groin strains the vocal cords. The actual sound is controlled by the shape of the mouth and by regulating the area of ​​sound formation from the front of the larynx (where lower rumbles usually form) to the back of the larynx (which in turn is a high scream). Like other singing styles, singing requires long-term practice: the larynx and vocal folds only get used to the strain. According to Melissa Cross, a singing teacher who specializes in rattle style, typical mistakes by novice rattle singers include the careless use of too high or low sound fields, the mere use of vocal cords to create rattle, and careless volume control. The singing song should start carefully and develop gradually. Professional murmur singers have learned to regulate the effects of respiration rate, laryngeal and oral humidity, and rasp sound in a balanced way. Contrary to popular belief, the sound of a rumble cannot be "synthesized" by any kind of effect. Effects like echo and slowdown may make the rumble sound fuller than other singing styles, but the melodic vocals cannot be turned into a rumble. Singing teachers often introduce different techniques in their teaching, but long-term use eventually consumes sound, so the techniques are meant to be "less harmful", as opposed to "harmless roaring." because the university treated patients with tu on the vocal cords

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