A fictional character is a person who appears in a work of fiction (a novel, a fairy tale, a comic, a cartoon) or any other work of entertainment (such as a video game), and can be played by an actor. in a play, in a film or in a television series, by a singer in an opera or by a dancer in a ballet. More precisely, a fictional character is a person who we imagine exists in the imaginary world of that work.
In addition to humans, alien characters, animals and legendary creatures, gods, robots, or, occasionally, inanimate objects and even plants are sometimes also called characters. The characters are almost always at the center of the work, especially in novels or plays. It is indeed difficult to imagine a novel or a comedy without characters, even if some attempts have been made. In poetry there is almost always some sort of person present, but often only in the form of an imagined narrator or listener.
In various forms of theater, artistic performance and cinema, the fictional characters are played by actors, dancers and singers, who take their likeness and adopt their feelings and thoughts in the stage fiction. The work on the character is one of the cornerstones of dramatic art; generally a character does not respond to the rules of real life, but rather is a set of characteristics of many people (often of an entire generation) and encompasses in the short time of the representation a much longer time, not infrequently the whole existence . The strength of great interpretations lies in the compression of all these factors. In cartoons and puppet shows, characters are voiced by voice actors, although there have been many examples, particularly, in machinima, where the characters' voices are generated by speech synthesizers.
The process of creating and describing fictional characters in fiction is called "characterization".
A character used in a work of fiction is not necessarily fictional but can also be a historical character.
The figure of the character is mainly associated with those characters not played by actors, but original and unique in all their aspects, therefore above all the characters drawn and animated protagonists of comics, manga and video games.
The names of fictional characters are often very important. In some cases they may contain puns or references to fairy tales or legends.
Nomenclature conventions have changed over time. In many English Restoration plays, for example, characters were given emblematic names that had no real-life sound: "Sir Fidget", "Mr. Pinchwife" and "Mrs. Squeamish" are some typical examples (all from William Wycherley's The Country Wife). Some texts of the eighteenth and nineteenth centuries, in practice, represent the names of the characters with the use of a single letter and a long momentum (this convention is also used for other proper names, such as place names): this one has the effect of suggesting that the author has a real person in mind but omits the full name for confidentiality reasons. The Miserables by Victor Hugo uses this technique. A similar technique is also used in the twentieth century by Ian Fleming in his novels featuring James Bond, where the real name for M, if pronounced in a dialogue, has always been written as "Adm. Sir. M ***".
This technique was also adopted by Alessandro Manzoni in I Promessi Sposi with the justification of wanting to preserve the fictitious privacy of some characters, who never actually existed.
In postmodern works, real characters are frequently incorporated into fiction. In cinema, the appearance of a real person playing himself in one